
When I was a kid, I would sometimes deliver a monologue from a movie that I recently watched, to get my point across. Like one time my big brother told on me for a bunch of things I didn’t do but my parents wouldn’t believe me so I recreated that scene from Irreconcilable Differences where Drew Barrymore tells her quarrelling parents that she is more than the family dog who they can pet one day but ignore the next.
This only served to confuse my parents. Maybe a movie where someone was being falsely accused would have been more appropriate. At seven years old, I was embarrassed by the dramatic miss-fire. I decided no more quoting movies. Instead it would be more affective to speak from the heart. I would deliver monologs as me, my own character.
Create a masterpiece of my own living.
Workshopping dramatics served my childhood well. I was the director of many plays and musicals produced in my basement with the neighbour kids. I would call the adults down to watch and after the kids went home my parents would critique the show. Literally. Usually along the lines of “why didn’t you let any of the other kids have any of the good roles?”….(do you mean the roles that I created for them, from my imagination, as a child, in my basement, after dinner?). Better to assimilate into the tribe, then upset the neighbourhood with my artistic flare.
I guess they were just preparing me for the ‘real world’.
I left home at eighteen. Infinitely curious, I would never let myself get bored. Life was a playground and I, an urban monkey. Jumping from scene to scene turning up the volume of the plot without knowing where it was headed. My attitude being; would this be an interesting story I could later tell my friends? and I’ll try anything once. A mystical journey with no destination. A game of suspense held up by the infinite intrigue in every single moment.
In the summer of 1992, I began go-go dancing at a club in my home town called The Warehouse. It was a dark and sexy bar entirely in black light and heavy on the strobes. The DJ played really good 80s and 90s dance music. A mix of Industrial, Techno, Hip Hop and ‘Alternative rock’, the emergent genre at the time. I was underage and got the job using fake ID. I told the manager my name was Cindi-Loo-Hoo.
My friend Catherine and I traded Wednesday, Friday and Saturday night dancing shifts. Every night I climbed into that sphere-shaped cage at the head of the dance floor I immediately transformed into Cindi-Loo. My work uniform; tiny jean shorts, a lime green halter bra, vintage dark green aviator goggles (Army Surplus) and black patent go-go boots (mom’s from the 60s). It was Tank Girl meets a Russ Meyer pussycat.
Dancing in front of a packed nightclub of cool people that were older than me was a challenge, one that after a couple of shifts, I had overcome.
So now what.
Sometime during that summer Catherine and I decided we should start streaking. I had recently gotten sober (the first attempt of many), and was seeking thrills. I was also living with undiagnosed bi-polar disorder and had no idea about the nature of my illness. This combination of sober and not medicated made me manic. I had boundless energy with a surplus of creativity, lack of impulse control and way too much confidence. The perfect combo for devising and carrying out our top-secret, but very verbose, ‘social interruptions’.
We picked a popular pub that we frequented, usually lined up on the weekend nights. Catherine’s boyfriend’s punk band, Field Day, often played there and I dated a bunch of the bar; patrons and staff. This was part of the thrill as Catherine had noticeable tattoos and I had a unique belly ring yet we needed to remain completely incognito for this to work as beautifully as it had been written in my mind.
Literally minutes after verbalizing the idea, we were stripping naked down to our black patent boots. With paper bags over our heads we were in full disguise. Only two small eye holes to see and a small breathing hole to breathe surrounded by our giant read drawn on lipstick smiles. This is how we got into my car and drove to the pub, naked with paper bags over our heads, chains tied at the neck to keep them from flying off.
The first T-intersection a cop car slowly drove by in front of us and both policemen looked square at us. I undid my seatbelt to either run or put my hands up, I didn’t know which. Miraculously, they didn’t stop. It was the first surreal moment of the night, the movie had begun.
We parked in the back of the pub our hearts pounding like crazy. It was early Saturday night, still light out, there was no where to hide. Without saying a word, we got out of the car, hi-fived each other and took off running. Through the back door, we ran down a winding hall, past the restrooms, then into the live music room, past the dart boards into the area with the main bar.
As soon as we entered the room, I was struck by the crowd and the cacophony of revelry and chaos. I realized I could see thru only one of my peep holes as my paper bag had turned a little sideways. I couldn’t correct it because, should someone try to grab me, I needed my arms for defence.
With limited scope I could only see Catherine’s white ass and followed it like a fish grabbing for tackle. The bag created a cavernous reverb and any panic of breath was a clear indicator to slow my thinking. Stay in the moment, follow the ass, breath slowly….
it’s OK…. it’s a paper bag, suppose to stop hyper-ventilation…was I suppose to put my entire head inside of it ?…oh god, I’m going to pass out. I can not pass out, naked ,in this grubby pub…
We were almost in sight of the front doors when I heard someone yell “SSSSSTTTTRRRREEEEEEEEAAAAAAAKKKEEERRRRSSS!!!!!”. It’s Okay, just follow the ass, breath normal, follow the ass, …..when suddenly I felt the need to raise my hands above my head and start yelling. Or yodelling. Or turkey gobbling or was it a mad combination of all of those? whatever it was, it felt invigorating to make sound. It snapped the room together.
We were running through the The Ship and Anchor pub, in the eye of the storm. I was yelling from deep inside the belly of a whale. A defensive cry as if to say “look at me! and stay the fuck away“.
Everything seemed to go silent and the room froze for a moment. This bought us a few safe seconds to reach the two front doors which were followed by another two doors…. So many doors!!!! I think we had both forgotten that detail. Ironically, opening all those doors seemed like the weirdest part of the night. We suddenly went from wild creatures to regular, butt naked, patrons out for a pint on a cool Saturday night. Totally pedestrian.
But wait….there’s a line up!!!!! still gotta run past the bouncers and the line up….What a way to freeze a scene. Stride confidently past it in the nude.
Thankfully Erin was waiting out front in the ‘get-away-car’ excitedly beeping her horn. I am sure we wouldn’t have found her otherwise, couldn’t see much at that point. Jumping into the vehicle, we had a moment to watch behind us as the pub emptied into the streets.
There was a lot of hollering and me-ham, they were running after us! The sound of car horns and the repeated cry of “streakers!!!” rippled up the street. A climax scene, action packed and cinematic. People were going bananas.
Thirty minutes later, we returned to the pub fully clothed. We were now in another kind of disguise; Normal Looking. A lot of people we knew were there and I enjoyed listening to their stories of the two streakers we had ‘just missed’. I spoke with an ex who told me the girls were ‘hot’. Another surreal moment. Like someone was telling me how hot Rachel Green was in the latest friends episode without realizing I was Jennifer Aniston.
This was almost the funnest part; hearing a good review of the movie I had just starred in while it continued to play out. Like a movie inside a movie starring I, the meta movie star.
Epilogue. Our three person team went on to produce another streaking movie. The next one took place at a Starbucks situated on the ground level of a corporate building downtown. It was a very sunny Wednesday in early autumn and the cafe was full of office folk on their afternoon coffee breaks.
I had been working there part time and was extra nervous when I realized my boss was working behind the counter. I hadn’t counted on that. This time I was to take the lead. This time there were foibles.
Running through the cafe was smooth but our get-away became harried. Erin was outside waiting for us but when the car behind her honked for her not to stop she drove away! We had to run down the highly populated street to catch up to her. Again with limited sight (forgot to fix the way too tiny peep hole) I ran smack into a shopping cart pushed by an old lady. I can still feel the metal grid on my naked stomach and thighs. Maybe left pubes in her groceries, I donno.
Once we had caught up to the car, we found ourselves deadlocked in the the middle lane of rush hour traffic without clothes or anything to cover ourselves up. It was that classic anxiety nightmare, you know: running naked through a city street trying to find cover, just to get stuck in a small car in rush hour, butt naked, trying to cover boobies and veejay at same time. Everybody honking. But I had noway of waking myself up.
I was dead awake.
The next day I went into work and my boss was there again. And again I listened while someone recounted the scene where two ladies run by, naked and yelling. Again I experienced, that surreality of someone talking to me behind my back, in front of my face. This time, however, my boss was really going off on the ‘tits action’ and how exciting it all was. Barf. A review I did not need to hear.
That would be our last movie about streaking.


